Russell Malone Quartet

02/24/2023 8:00 PM

Door Time: 7:00 PM

Other Showtimes

Russell Malone Quartet

Russell Malone's first guitar was a plastic green toy his mother bought him. Only four years old, Malone strummed the little guitar all day long for days on end trying to emulate the sounds he had heard from guitarists at church in Albany, Georgia. As a child, Malone developed an interest in blues and country music after seeing musicians on television like Chet Atkins, Glen Campbell, Johnny Cash, Roy Clark, Son Seals, and B.B. King. Then, at age 12, he saw George Benson perform with Benny Goodman on Soundstage. Malone has said, "I knew right then and there that I wanted to play this music." A self-taught player, Malone progressed well enough to land a gig with master organist Jimmy Smith when he was 25. "It made me realize that I wasn't as good as I thought I was," Malone recalls of his first on-stage jam with Smith. After two years with Smith, he went on to join Harry Connick Jr.'s orchestra, a position he held from 1990-94, appearing on three of Connick''s recordings. Malone also worked in a variety of contexts, performing with artists as diverse as Clarence Carter, Little Anthony, Peabo Bryson, Mulgrew Miller, Kenny Barron, Roy Hargrove, Branford and Wynton Marsalis, The Winans, Eddie "Cleanhead" Vinson, Bucky Pizzarelli, and Jack McDuff. Malone is one of the most commanding and versatile guitarists performing. He can move from blues to gospel to pop to R&B and jazz without hesitation, a rare facility that has prompted some of the highest profile artists in the world to call upon him: Diana Krall, Gladys Knight, Aretha Franklin, B.B. King, Natalie Cole, David Sanborn, Shirley Horn, Christina Aguilera, Harry Connick, Jr, Ron Carter, and Sonny Rollins. Along the way, Malone has made a name for himself combining the bluesy sound of Grant Green and Kenny Burrell with the relentless attack of Django Reinhardt and Pat Martino. After hearing Malone play in Connick's band, former Sony head, Tommy Mottola, brought Malone over to Columbia. Malone's self-titled debut, Russell Malone, in 1992 quickly went to #1 on the radio charts. This album has Malone playing Electric, Acoustic, and Classical guitars. It also features Harry Connick Jr. on piano, his current employer at the time, joking around on "I Don't Know Enough About You," a vocal piece by Malone, not Connick. Russell Malone was quickly followed by his second album, Black Butterfly in 1993, with Paul Keller on Bass, who later became his trio mate with Diana Krall.

Guitarist Russell Malone brings his Quartet to Chris' Jazz Cafe

Dinner & Show package ~ $75 includes 3-course chef tasting

VIP Dinner & Show package ~ $95 includes 3-course chef tasting and stage-front seating

(Beverages not included in packages)

Russell Malone's first guitar was a plastic green toy his mother bought him. Only four years old, Malone strummed the little guitar all day long for days on end trying to emulate the sounds he had heard from guitarists at church in Albany, Georgia. As a child, Malone developed an interest in blues and country music after seeing musicians on television like Chet Atkins, Glen Campbell, Johnny Cash, Roy Clark, Son Seals, and B.B. King. Then, at age 12, he saw George Benson perform with Benny Goodman on Soundstage. Malone has said, "I knew right then and there that I wanted to play this music." A self-taught player, Malone progressed well enough to land a gig with master organist Jimmy Smith when he was 25. "It made me realize that I wasn't as good as I thought I was," Malone recalls of his first on-stage jam with Smith. After two years with Smith, he went on to join Harry Connick Jr.'s orchestra, a position he held from 1990-94, appearing on three of Connick''s recordings. Malone also worked in a variety of contexts, performing with artists as diverse as Clarence Carter, Little Anthony, Peabo Bryson, Mulgrew Miller, Kenny Barron, Roy Hargrove, Branford and Wynton Marsalis, The Winans, Eddie "Cleanhead" Vinson, Bucky Pizzarelli, and Jack McDuff. Malone is one of the most commanding and versatile guitarists performing. He can move from blues to gospel to pop to R&B and jazz without hesitation, a rare facility that has prompted some of the highest profile artists in the world to call upon him: Diana Krall, Gladys Knight, Aretha Franklin, B.B. King, Natalie Cole, David Sanborn, Shirley Horn, Christina Aguilera, Harry Connick, Jr, Ron Carter, and Sonny Rollins. Along the way, Malone has made a name for himself combining the bluesy sound of Grant Green and Kenny Burrell with the relentless attack of Django Reinhardt and Pat Martino. After hearing Malone play in Connick's band, former Sony head, Tommy Mottola, brought Malone over to Columbia. Malone's self-titled debut, Russell Malone, in 1992 quickly went to #1 on the radio charts. This album has Malone playing Electric, Acoustic, and Classical guitars. It also features Harry Connick Jr. on piano, his current employer at the time, joking around on "I Don't Know Enough About You," a vocal piece by Malone, not Connick. Russell Malone was quickly followed by his second album, Black Butterfly in 1993, with Paul Keller on Bass, who later became his trio mate with Diana Krall.

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Seating Info
View Seating Chart

Premier Tables:
The best seats in the house positioned directly in front of the performance stage (marked dark blue on the seating map).

Standard Tables:
Clear and unobstructed views of stage (marked purple on the seating map). A few tables have a partially obstructed view (marked light blue on the seating map).

Cocktail & Bar Area:
Seating at high-top tables and at the bar area available on a first come, first seated basis (marked green on the seating map). Tables may be shared for sold out shows. Two TV monitors with live video feed of the performance are conveniently located above the bar and cocktail areas.

  • All ticket prices are per person.
  • Dinner menu available in all sections.
  • Your ticket is also your dining reservation.
  • Every ticket gets a seat in area purchased and tables are reserved based on the date when you made your reservation.
  • We will do our best to ensure that your entire group sits together, please let us know in the order notes if there are multiple ticket orders in your group.
  • For any special needs or accommodation requests, please call us at 215-568-3131.
  • Tickets are the same price whether purchased in person, over the phone or online.
  • No refunds, professional cameras or outside food and drink.
  • There is a limited amount of seating available for performances, if the show is sold out online, contact us at 215-568-3131 for seating availability.

Festival Seating:
Festival seating is our general admission ticket. The entire venue or a portion of the venue may be designated for festival admission. These tickets will guarantee you a seat for the show and you are free to sit anywhere in the venue based on a "first come, first seated" basis. This should also allow for larger groups to sit together.

  • All ticket prices are per person.
  • Dinner menu available in all sections.
  • Your ticket is also your dining reservation.
  • For any special needs or accommodation requests, please call us at 215-568-3131.
  • Tickets are the same price whether purchased in person, over the phone or online.
  • No refunds, professional cameras or outside food and drink.
  • There is a limited amount of seating available for performances, if the show is sold out online, contact us at 215-568-3131 for seating availability.