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Webb Thomas and His Super Band with Special Guest Pianist Nat Adderly, Jr

04/01/2023 8:00 PM
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Webb Thomas and His Super Band with Special Guest Pianist Nat Adderly, Jr

with Webb Thomas

As Luther Vandross’ long-time musical director, Nat’s compositions include “Stop to Love”, “Wait for Love”, “Make Me a Believer”, “Other Side of The World”, and the Grammy-nominated “Give Me the Reason”. His many arrangements for Luther include “Superstar”, “Here and Now”, “So Amazing”, “If Only for One Night”, “If This World Were Mine”, “There’s Nothing Better Than Love”, “Anyone Who Had a Heart”, and “Never Too Much”. Also for Luther, Nat produced “My Favorite Things”, “Have Yourself a Merry Little Christmas”, “Going Out of My Head” and “The Closer I Get To You” (the Grammy-winning duet with Beyonce). Nat also of course produced Luther’s very last project, “Live at Radio City Music Hall”.

Nat wrote “The Wave” for Kirk Whalum, arranged Natalie Cole’s 1987 recording of “When I Fall In Love”, produced “Just Another Lonely Night” for Johnny Gill, arranged Aretha Franklin’s album Jump To It, produced Gloria Lynne’s album No Detour Ahead, and produced “That’s How Heartaches are Made” for the Temptations. And In 2016 and 2017, Nat produced the CD “Invitation” for Nicolas Bearde, and appeared as pianist on Jay Hoggard’s beautiful CD “Harlem Heiroglyphs”. After a decades-long absence from theater, Nat has recently done three important shows for the Tony-winning Crossroads Theater Company in New Brunswick, NJ. In September of ’17 he served as arranger and musical director for “Sarah Sings a Love Story” . In April of ’19 he did the same for “Sophisticated Ladies” directed by Tony winner Andre DeShields . And in September of ’19 Nat was MD and appeared as the character “Larry” (Paul Robeson’s accompanist) in “Robeson”. In recent years, the Nat Adderley Jr Quartet (or Trio) performed in Beijing (the Blue Note), Singapore (the Kool Kats Club), in New York City (Minton’s , Grant’s Tomb, the Sugar Bar), New Jersey (Shanghai Jazz in Madison), and many other venues. In September ’19 the band headlined Sheila Anderson’s (WBGO) “Somerville (NJ) Jazz Festival”. And as a “sideman” in 2019 Nat played with Regina Carter (The Jazz Standard NYC on New Year’s Eve and New Year’s Day) and with Vincent Herring (Smoke Jazz Club NYC later in the year). In 2020 and 2021 the Nat Adderley Jr Quartet performed for sold-out houses at Parker’s Jazz Club in Austin Tx, Breezy’s Jazz Club Jacksonville Fl, Takoma Station in Washington DC, and a few nights back at Minton’s in Harlem. Also, in NYC there were a few “packed” performances for “Jazzmobile” at Marcus Garvey Park and at Grant’s Tomb. Nat also streamed various widely viewed concerts from his living room for the Queens Public Library, the New Jersey Jazz Society. And from “Birdland” streamed the “Tribute to Phyllis Hyman” duo with Alyson Williams. Finally, in July ’21, Nat was featured (with Paulette McWilliams) in Austria at “Porgy and Bess” in Vienna, and at the Inntone Jazz Festival in Diersbach. Nat Adderley Jr received his BA from Yale University.

Webb Thomas

Webb was born in South Philadelphia and spent his early
years in Chester,Pa being raised by his grandparents while his Mother worked in Nursing. Webb lost his Father early on in life before his 3rd birthday.

Exposed to Music at an early age,  His Uncle's Band would have Jazz Sessions at the Family home in Chester and it was there that Webb would "playfully" take the drumsticks and run upstairs and hide them under his pillow.  The next day the Drummer would come and wonder where his sticks went?  At the age of 5, He was enrolled at The Settlement Music School and hasnt put the Sticks down yet.

While attending St. Carthage Parochial School and West
Catholic H. S. for Boys in Philadelphia Webb became  heavily involved in the Music Programs and began to play at Various functions such as School Plays, Church Functions, Marching Bands etc...

After that.. Webb began his journey to the different Music
Colleges.  First Philadelphia College of Performing Arts, then on to Berklee College of Music in Boston playing with different groups and showbands such as The Energetics, traveling throughout New England and abroad.
After a brief stint in New York City working with the late great guitarist, Eric Gale and recording Island Breeze, Webb returned home to Philadelphia.

Dinner & Show ~ $80 Includes 3-course Chef Tasting menu

VIP Dinner & Show ~ $100 Includes above Chef Tasting and stage-front seating 

General Admission ~ $30 includes a la carte menu

(Beverages not included)

Streaming:  Chris' Jazz Cafe Live (inplayer.com) 

As Luther Vandross’ long-time musical director, Nat’s compositions include “Stop to Love”, “Wait for Love”, “Make Me a Believer”, “Other Side of The World”, and the Grammy-nominated “Give Me the Reason”. His many arrangements for Luther include “Superstar”, “Here and Now”, “So Amazing”, “If Only for One Night”, “If This World Were Mine”, “There’s Nothing Better Than Love”, “Anyone Who Had a Heart”, and “Never Too Much”. Also for Luther, Nat produced “My Favorite Things”, “Have Yourself a Merry Little Christmas”, “Going Out of My Head” and “The Closer I Get To You” (the Grammy-winning duet with Beyonce). Nat also of course produced Luther’s very last project, “Live at Radio City Music Hall”.

Nat wrote “The Wave” for Kirk Whalum, arranged Natalie Cole’s 1987 recording of “When I Fall In Love”, produced “Just Another Lonely Night” for Johnny Gill, arranged Aretha Franklin’s album Jump To It, produced Gloria Lynne’s album No Detour Ahead, and produced “That’s How Heartaches are Made” for the Temptations. And In 2016 and 2017, Nat produced the CD “Invitation” for Nicolas Bearde, and appeared as pianist on Jay Hoggard’s beautiful CD “Harlem Heiroglyphs”. After a decades-long absence from theater, Nat has recently done three important shows for the Tony-winning Crossroads Theater Company in New Brunswick, NJ. In September of ’17 he served as arranger and musical director for “Sarah Sings a Love Story” . In April of ’19 he did the same for “Sophisticated Ladies” directed by Tony winner Andre DeShields . And in September of ’19 Nat was MD and appeared as the character “Larry” (Paul Robeson’s accompanist) in “Robeson”. In recent years, the Nat Adderley Jr Quartet (or Trio) performed in Beijing (the Blue Note), Singapore (the Kool Kats Club), in New York City (Minton’s , Grant’s Tomb, the Sugar Bar), New Jersey (Shanghai Jazz in Madison), and many other venues. In September ’19 the band headlined Sheila Anderson’s (WBGO) “Somerville (NJ) Jazz Festival”. And as a “sideman” in 2019 Nat played with Regina Carter (The Jazz Standard NYC on New Year’s Eve and New Year’s Day) and with Vincent Herring (Smoke Jazz Club NYC later in the year). In 2020 and 2021 the Nat Adderley Jr Quartet performed for sold-out houses at Parker’s Jazz Club in Austin Tx, Breezy’s Jazz Club Jacksonville Fl, Takoma Station in Washington DC, and a few nights back at Minton’s in Harlem. Also, in NYC there were a few “packed” performances for “Jazzmobile” at Marcus Garvey Park and at Grant’s Tomb. Nat also streamed various widely viewed concerts from his living room for the Queens Public Library, the New Jersey Jazz Society. And from “Birdland” streamed the “Tribute to Phyllis Hyman” duo with Alyson Williams. Finally, in July ’21, Nat was featured (with Paulette McWilliams) in Austria at “Porgy and Bess” in Vienna, and at the Inntone Jazz Festival in Diersbach. Nat Adderley Jr received his BA from Yale University.

Webb Thomas

Live streaming support: https://support.inplayer.com/

Seating Info
View Seating Chart

Premier Tables:
The best seats in the house positioned directly in front of the performance stage (marked dark blue on the seating map).

Standard Tables:
Clear and unobstructed views of stage (marked purple on the seating map). A few tables have a partially obstructed view (marked light blue on the seating map).

Cocktail & Bar Area:
Seating at high-top tables and at the bar area available on a first come, first seated basis (marked green on the seating map). Tables may be shared for sold out shows. Two TV monitors with live video feed of the performance are conveniently located above the bar and cocktail areas.

  • All ticket prices are per person.
  • Dinner menu available in all sections.
  • Your ticket is also your dining reservation.
  • Every ticket gets a seat in area purchased and tables are reserved based on the date when you made your reservation.
  • We will do our best to ensure that your entire group sits together, please let us know in the order notes if there are multiple ticket orders in your group.
  • For any special needs or accommodation requests, please call us at 215-568-3131.
  • Tickets are the same price whether purchased in person, over the phone or online.
  • No refunds, professional cameras or outside food and drink.
  • There is a limited amount of seating available for performances, if the show is sold out online, contact us at 215-568-3131 for seating availability.

Festival Seating:
Festival seating is our general admission ticket. The entire venue or a portion of the venue may be designated for festival admission. These tickets will guarantee you a seat for the show and you are free to sit anywhere in the venue based on a "first come, first seated" basis. This should also allow for larger groups to sit together.

  • All ticket prices are per person.
  • Dinner menu available in all sections.
  • Your ticket is also your dining reservation.
  • For any special needs or accommodation requests, please call us at 215-568-3131.
  • Tickets are the same price whether purchased in person, over the phone or online.
  • No refunds, professional cameras or outside food and drink.
  • There is a limited amount of seating available for performances, if the show is sold out online, contact us at 215-568-3131 for seating availability.